Showing 11 - 20 of 31 Records
Hay Harvesting in the 1940's
- Creator: Vermont Agricultural Experiment Station, Carter, Robert McCrillis, 1902-
- Date Created: 1940's
- Description: In the 1940’s, Robert M. Carter, of the University of Vermont Agricultural Experiment Station, conducted a study of hay harvesting techniques and costs in Vermont. This collection documents that work which resulted in several published studies and three films showing different hay harvesting techniques. The films capture hay harvesting at a time when there was an increasing use of power machinery, and they show a range of techniques including older methods of hand harvesting, as well as newer tractor driven methods. In Carter’s study he writes, “While nearly half of all farmers contacted relied upon horses for handling some field equipment, combinations of horse- and motor-operated equipment were frequent. Forty-one percent of the farmers owned tractors, and 21 percent had trucks.” These films capture hay harvesting right in the middle of the transition from horse to machine driven equipment. Vermont was still a predominantly agricultural state in the 1940’s and dairy was the largest agricultural sector, so hay harvesting was a subject of significant interest in the state. It was also a subject of importance outside of Vermont. Between 1946 and 1948, at least 28 studies on hay harvesting methods and costs were published (Vermont, Nebraska, Iowa, North Dakota, United States Department of Agriculture, New York, Maine, Pennsylvania, New Jersey, California, New Zealand, Colorado, Nevada, Washington, Oklahoma, Arkansas, Connecticut). The large number of studies demonstrates clearly that the point in time that these films capture was critical in terms of the development of hay harvesting. It captures an agricultural sector in a period of intense study and change. In Vermont, the cost of dairy farming was increasing which resulted in fewer and larger farms. The increased size of dairy herds led to greater requirements for feeding them. In a history of the State of Vermont, the authors note, “Wheat, buckwheat, and oats all but disappeared as cash crops for regional or national markets while farmers focused on raising hay, field corn, and other silage crops.” The authors also note that the greater focus on feed forced farmers to examine productivity and to adopt more mechanized and machine driven techniques. Again, the films document this transitional phase while simultaneously serving as evidence of the increased attention paid to issues of labor and cost-saving techniques. Robert Carter was a rural sociologist interested in labor saving techniques and systems. He studied the different ways that farmers harvested hay because “harvesting the hay crop is hard, tedious, expensive work.” His study investigated the efficiency of various hay harvesting methods. He looked at the following hay harvesting tasks: cutting grass, raking hay, bunching hay, loading hay, necessary travel carrying hay between field and barn, unloading hay, and mowing-away hay. He looked at the time spent on each task, the cost of the equipment used, crew size, idle time, time spent making repairs to equipment, the interrelationships between jobs, and the production yield. His study is thorough and provided benchmarks for farmers to measure their performance against as well as strategies for improving efficiency.
Photographs of Vergennes (Vt.)
- Description: This collection contains 794 images comprising 122 years of history in Vergennes, Vermont’s oldest city. Featuring a wide range of topics, which date from the 1866 Civil War parade to the 1988 Bicentennial, the collection provides a comprehensive and unusual look at small town life in northern Vermont. These photographs document the full visual spectrum of history in Vergennes, from businesses, industries, and transportation to natural scenery, paintings, and portraits of people who once walked the city’s streets. These images were scanned from 35mm slides located in the Bixby Memorial Free Library archives in Vergennes. The slides were made around 1987 from color photographs taken of the original images. The originals, mainly of the Vergennes area but including several from Ferrisburgh and Lake Champlain, had accumulated over the years in the library’s historical materials repository. Many of these photographs, along with the slides and accompanying inventory notebook, can be viewed with permission at the library. The authors of these photographs remain undocumented and anonymous, except for a selection of photographs by local artist Harvey Custer Ingham (1863-1931), a personal friend of local businessman and library founder William Gove Bixby (1829-1907). Mr. Bixby left funds from his estate for the founding of a public library in the city of Vergennes, including the construction of the imposing Greek revival library building on Main Street. The library opened on November 4, 1912, and in 2012 celebrates a century of continued service to Vergennes and the surrounding towns of Addison, Panton, Waltham, and Ferrisburgh.
Letters Home From Congress
- Creator: Austin, Warren Robinson, 1877-1962, Collamer, Jacob, 1791-1865, Crafts, Samuel Chandler, 1768-1853
- Date Created: 1818-1941
- Description: This collection features letters home from Warren R. Austin (Senator, 1931-1946), Jacob Collamer (Representative, 1843-1848; Senator, 1855-1865), and Samuel C. Crafts (Representative, 1817-1824; Senator, 1842-1843). The letters document travel to and from Washington by horse, boat, train, and airplane; lodging in boarding houses, hotels, and homes; social life in Washington; significant local and national events; and legislative issues under consideration in Congress. Austin's letters detail his frustrations serving as a Senator in the minority party during the era of Roosevelt and the New Deal; his activities on the Judiciary Committee; and foreign affairs topics such as the Neutrality Act. The letters of Crafts and Collamer both extensively cover the question of slavery, discussing Missouri statehood, John Brown, the annexation of Texas, and the Civil War. All three Congressmen frequently discuss questions regarding appropriations and the Federal budget. Biographical information is available from the Biographical Directory of the United States Congress, at: https://bioguide.congress.gov/
Congressional Speeches
- Date Created: 1812-1988
- Description: This collection features speeches made on the floor of the United States House of Representatives and Senate by Vermont Congressmen. Topics covered include the environment, education, agriculture, World War II and selective service, the Mexican War, the tariff and international trade, slavery, the Civil War and Reconstruction. The speeches date from 1812 to the present and a wide variety of Congressmen are represented.
Justin Morrill Letters to UVM President Matthew Buckham
- Creator: Morrill, Justin S. (Justin Smith), 1810-1898
- Date Created: 1872-1898
- Description: Justin Morrill (1810-1898) served as a US Representative (1855-1867) and Senator (1867-1898) from Vermont, following a successful business career. His signature legislative accomplishments were the Land Grant Acts of 1862 and 1890, which used the proceeds from the sale of federal lands expropriated from tribal nations, to create land-grant colleges. The purpose of these land-grant colleges was to teach agriculture, military instruction, and mechanical arts such as engineering in addition to the traditional science and classical education that was generally taught in colleges at that time. The second Land Grant Act, passed in 1890, funded colleges in the former Confederate states and required each state to offer race blind admissions or set up a separate land-grant college for persons of color, which led to the creation of several of the historically Black colleges and universities. An additional act passed by Congress in 1887 funded agricultural experiment stations under the direction of the land grant colleges. In 1865, the University of Vermont and State Agricultural College was incorporated, after a great deal of debate about whether a land-grant college in Vermont should be a separate institution, or attached to the University of Vermont, Norwich University, Middlebury College or even possibly a merger of those three institutions. Despite the 1865 incorporation, these debates would continue in Vermont for many years to come. With the establishment of the University of Vermont and State Agricultural College, Morrill became a trustee of the University, a position he continued to hold until his death in 1898. Matthew Buckham (1832-1910) became President of the University in 1871 and continued in this role until his death in 1910. He had previously graduated from the University in 1851 and served as a faculty member from 1856-1871. His time as president saw the admission of women to the University, the addition of several notable buildings to campus such as Williams Hall and the Billings Library, and the development of the State Agricultural College which had admitted no students to the agricultural course in the six years before he became President. Morrill and Buckham were frequent correspondents and eighty-two of Morrill’s letters to Buckham, along with three to George Benedict and one to Albert Cummins, are preserved in Buckham’s papers at the University of Vermont and are digitized and transcribed in this collection. The letters included here discuss a wide variety of topics, mostly related to the agricultural college and include: federal support for the University, possible donors, military instruction, Morrill’s views on the development of agricultural colleges around the country, competition with Middlebury and Norwich, Vermont legislation such as the 1890 “divorce bill” which would have separated the State Agricultural College from the University, the experimental farm, the academic progress of Morrill’s son James at the University, and the construction of Billings Library along with the potential acquisition of the library of George Perkins Marsh.
Prospect Archive of Children's Work
- Creator: Prospect School and Center for Education and Research
- Description: The Prospect Center for Education and Research, located in North Bennington, VT, started in 1965 as a school for elementary, and later, middle school children. The School closed in 1991 and the Center in 2010. Featured here are substantial, digitized selections of the work of nine students of the several hundred who attended the School. The School’s daily schedule included large blocks of time for its students to work with a broad range of materials individually and together, in self-directed ways. Visual and written work left behind was gathered and saved and eventually became the Prospect Archive of Children's Work, which now also contains teacher records and some subsequently donated work. The Archive is a unique resource, offering a longitudinal perspective on children’s thinking and growth. It has been used for many years by teachers and other educators—employing methods for collaborative study developed at the Prospect Center—to further understanding of individual children, of children in school, of what in the educational setting supports their learning, and ultimately, of larger questions about human work, thought, and capacity. It is Prospect’s hope that the children’s work and supporting material on this site and in the Special Collections Library at UVM will be used by educators to continue their study in service to the idea that each child offers something new to the world, a fresh perspective, a renewed meaning, and that it is the work of education to enable that emergence. This collection includes the work of nine individual children and The Introduction to the Reference Edition of the Prospect Archive (1985), which offers background and descriptions of the Prospect School, the Archive of Children’s Work, and the Reference Edition itself, from which all the children’s work and related material on this site have been drawn. The Reference Edition of the Prospect Archive is a slide, microfiche and manuscript compilation of the complete works of thirty-six children. Note: The convention of parentheses around the children’s names indicates a pseudonym. The Prospect Center for Education and Research, located in North Bennington, VT, started in 1965 as a school for elementary, and later, middle school children. Out of its own efforts to learn more about children and how best to provide for and encourage their learning, the Prospect School grew to encompass a variety of teacher education programs, research projects, and an archive of children’s work and transformed itself into the Prospect Center in 1979. The School closed in 1991. The Center continued some of its adult education and research activities, and undertook an ambitious publication program, until its closing in 2010.
Kake Walk at UVM
- Date Created: 1896-2004
- Description: The Kake Walk at UVM collection documents a former University of Vermont event that is for some a hallowed tradition and for others overt racism. The terminated competition, which was the highlight of the campus social calendar for over eighty years, featured fraternity brothers in blackface and kinky wigs dancing to the tune of "Cotton Babes." HISTORY UVM's Kake Walk dates to the early 1890s when it resembled the popular American minstrel show. A dance known as the cakewalk, by then a standard act in minstrel theatre, originated on plantations as a competition among slaves. The pair that most entertained their white owners would be awarded cake. The cakewalk later evolved into a refined social dance whose accompanying music was a predecessor to ragtime. UVM's Kake Walk departed from these styles, however, to become its own unique tradition. Early Kake Walks featured a pair of men in costume (one in drag) wearing blackface. In addition to the "a walkin' fo' de kake" competition, the event included grotesque stunts and a peerade; skits were soon added. In the 1930s and 1940s, the Winter Carnival weekend grew to include the election of a King and Queen and a snow sculpture competition. After World War II, male walkers wore suits in the colors of their fraternity known as "silks." The judging was codified as the high-stepping dances became more and more stylized. By the 1960s, the three-day festival also included a ball, a jazz concert, and winter sporting events. Local merchants benefitted from the influx of returning alumni and visiting guests, and the organizing committee made significant profits. Kake Walk was governed by fraternity brothers known as Directors, as well as a female student appointed Secretary. Professors James Loewen and Larry McCrorey date dissent concerning Kake Walk to as early as 1954 when Phi Sigma Delta first refused to wear blackface. Various statements opposing Kake Walk were printed in the Cynic, published in local papers, and delivered at public events; two students picketed the last performance. In 1963, the Interfraternity Council (IFC) voted to eliminate blackface in favor of light green makeup but to continue using dialect. In 1964, due to audience complaints, the makeup was changed again to a darker green which, in black and white photographs, is impossible to distinguish from blackface. In 1969, due to successive decisions by a student-faculty committee, the Student Association, and the IFC, Kake Walk was officially eliminated from the Winter Carnival weekend. DETAILED DESCRIPTION OF COLLECTION This digital collection contains a selection of records from the University Archives such as event invitations, recruitment flyers, documentation of ticket requests, press releases, financial records, committee minutes, and director's reports. There are several representative examples of correspondence from alumni and community members responding to the discontinuation of Kake Walk. Some notable records include the 1964 document "A New Face," which announces the switch to dark green makeup after one year of light green; the results of the 1969 student opinion poll on the future of Kake Walk; the October 31, 1969 announcement eliminating Kake Walk from the Winter Carnival weekend; and a 1977 letter describing the Greek and Panhellenic vote to oppose any Kake Walk revivals. Fourteen student newspapers from the University of Vermont are included in this collection. Every year, The Vermont Cynic produced a Kake Walk special edition. A sampling of papers from 1923 - 1977 were selected for this digital collection, as well as an article from 2004. The Cynics include some advertisements and articles unrelated to Kake Walk, but the majority of the papers' contents document Winter Carnival planning, activities, and participants. Some of the later newspapers, such as the 1954 Cynic, include debates around Kake Walk and voices of dissent. Twenty-one Kake Walk programs ranging from 1898 to 1970 document the increasingly well-designed and expensively-produced publications. The programs contain information about winter carnival events, judges, committee members, participants, scorecards, royalty candidates, and awards. The programs include advertisements from local businesses, photographs of activities and participants, and various accounts of the history of Kake Walk. Blackface first appeared on a program cover in 1938 and was depicted on subsequent publications, with varying degrees of realism, until the last performance in 1969. Researchers will notice two parody programs: a 1922 publication imitating a Communist "rag" and a 1924 program entitled The Bohemian Meow. The program for the 1970 film festival which replaced Kake Walk is also included. More than one hundred photographs taken during the last decade of the University of Vermont's Winter Carnival are available in this collection. The photos were most likely taken by staff and student enthusiasts to document and publicize the committee's production work, Winter Carnival events, and Kake Walk performances. In some cases, professional photographers may have been hired. This collection also includes many non-traditional archival formats. Starting around 1912, all Kake Walkers choreographed their high-stepping dances to the syncopated tune of "Cotton Babes." A 10 inch 78 rpm record of this signature musical piece has been digitized and made available online. Originally composed by Percy Weinrich, this version of the song was arranged by UVM Band Director Joseph Lechnyr. A bronze Kake Walk trophy and fraternity drinking souvenirs such as a metal cup and a ceramic jug represent the many artifacts associated with this event. In 2004, the Howe Library held an exhibit entitled "UVM's Past: The Legacy of Kake Walk." This collection makes available exhibit materials archived at UVM, including newspaper articles which may have been on display, draft exhibit labels, and a notebook containing visitor comments. PROCESSING INFORMATION Undergraduate and continuing education students enrolled in the summer 2010 ALANA US Ethnic Studies course "Curating Kake Walk: Race, Memory, and Representation" contributed to this collection overview and provided subject headings describing many of the collection's digital objects. They also developed several criteria in order to select the collection image thumbnail. In a statement reflective of class discussions and opinions, one group wrote that the Kake Walk at UVM materials "should be seen not as encouraging racism, but as an opportunity to learn from insensitivities from the past that can help us build a more unified future. SUGGESTED READINGS For more information, see "The Black Image in White Vermont: The Origin, Meaning, and Abolition of Kake Walk" by former UVM Professor James Loewen. This chapter is included in this collection and was originally published as part of a book commemorating the University of Vermont's bicentennial. At the time this collection launched, it was the only known scholarly work on Kake Walk. Another secondary source which discusses Kake Walk, a 2004 speech on racism in Vermont by Professor Larry McCrorey, is also included here. See also a document in this collection entitled "Kake Walk Data" which compiles minutes and published information on committees, judges, programs, receipts, rules, and walkers.
Maple Research Collection
- Creator: Proctor Maple Research Center, Vermont Agricultural Experiment Station.
- Date Created: 1890-1988
- Description: This collection documents the history of maple research at the University of Vermont. Included in the collection is a selection of photographs from the archives of the Proctor Maple of Vermont (UVM), and the first permanent maple research facility in the United States. The photographs, taken between 1948-1957, document the construction of the field station’s first sugarhouse, as well as the PMRC sugar bush and early maple experiments. Also included in the collection are the published University of Vermont Agricultural Extension bulletins on maple research (1890-1988), taken from both the Proctor Maple Research Center archive and the University of Vermont Libraries Department of Special Collections. Maple research in Vermont has a long history, dating back to the early 1890s, when C. H. (Charles Howard) Jones, head of the UVM Agricultural Experiment Station and a prominent early maple sugar chemist, conducted seminal research on the biology of maple trees to better understand the sap flow mechanism and its dependence on meteorological changes, as well as the considerable variance in sap sugar content. In 1946, James Marvin and Fred Taylor founded the Proctor Maple Research Center with a donation by Governor Mortimer Proctor of the former “Harvey Farm” in Underhill Center, Vermont, to UVM. For the first year of operation, research on sap flow, maple tree physiology, and the economics of maple production were conducted in an 8’ x 12’ shed. In 1948, the first sugarhouse was constructed to allow research on syrup production techniques, followed several years later by the C.H. Jones Laboratory (which served as the primary research laboratory until it burned down in 1998). Through the years, the PMRC has had its fair share of prominent maple researchers, scientists and educators, including Frederick Laing, whose research helped develop and improve methods of installing plastic tubing and directed improvements in using vacuum pumps to increase sap yields, and Mariafranca Morselli, who brought a greater understanding to the role of microorganisms in determining syrup grade, as well as developing methods to detect adulteration of maple syrup by adding other sugars. In 1999, the PMRC was named to the National Register of Historic Places, and today houses facilities that include an 8,000 square foot laboratory and a demonstration and research sugarhouse, as well as the original research shed.
Out in the Mountains
- Date Issued: 1986-2007
- Description: Out in the Mountains was the only LGBT focused newspaper in Vermont from early 1986 to January of 2007 when the last issue was released. The newspaper provided a forum for a diverse LGBT community to stay connected, covered issues facing the community such as violence, isolation and HIV, and discussed policy and organizing efforts to battle discrimination against LGBT people in Vermont and in the United States as a whole. Some significant milestones for LGBT rights in Vermont covered by Out in the Mountains include the passage of Civil Unions and the Vermont Employment Non-Discrimination Act. The newspaper featured ongoing advice and dating column, a series of coming out stories, a column for youth writers, LGBT cartoonists including Alison Bechdel, and profiles of prominent community members. The newspaper refused to print advertisements for alcohol or cigarettes, and ran advertisements for safer sex practices. Out in the Mountains ceased publication due to financial difficulties.
A Tourist's Album of Japan
- Date Created: 1909
- Description: Katherine Wolcott and her uncle, Robert Hull Fleming, compiled this photo album on their visit to Japan in 1909. Part of a larger Asian trip, the two stopped in Japan and collected photos, postcards, bookmarks, and other materials. Fleming was a graduate of the University of Vermont, and in 1929 Katherine Wolcott helped to fund the construction of the Robert Hull Fleming Museum in memory of her late uncle. This album, a memento from their trip, was part of Wolcott’s own collection. There are nearly 40 leaves of collected photographs and postcards, numbering two to three per album page. The pictures range in content, some depicting staged photos of daily life while others portray landscapes and countryside. The album itself measures approximately 11 x 14 x 4 inches and is currently housed at the Robert Hull Fleming Museum at the University of Vermont. Wolcott’s album captures a unique view of Japan at the brink of burgeoning Western influence. After defeating the Russians in the Russo Japanese War (1904-05), Japan began to cement itself as a global power, and its efforts to modernize began to attract Westerners. The images in this album depict a Japan with a strong national heritage and cultural appreciation as well as a newfound embrace of modernization and technology. Most of the pictures in the album sold commercially as a form of postcard. In the early 1900s, the Japanese populace began consuming millions of these types of commercially produced picture postcards. Eventually, the medium became so popular that it started to replace the more traditional wood block print. The citizenry sought pictures of their budding nation, wanting to hold a still image of the rapidly modernizing and changing countryside.