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Showing 11 - 20 of 35 Records

George Perkins Marsh Online Research Center
    • Description: The George Perkins Marsh Research Center provides access to transcriptions and images of selected letters in Marsh's correspondence. With a generous grant from the Woodstock Foundation we have transcribed over 650 letters from the University manuscript collection and from Marsh's letters located at other institutions.


    Hay Harvesting in the 1940's
      • Creator: Vermont Agricultural Experiment Station, Carter, Robert McCrillis, 1902-
      • Date Created: 1940's
      • Description: In the 1940’s, Robert M. Carter, of the University of Vermont Agricultural Experiment Station, conducted a study of hay harvesting techniques and costs in Vermont. This collection documents that work which resulted in several published studies and three films showing different hay harvesting techniques. The films capture hay harvesting at a time when there was an increasing use of power machinery, and they show a range of techniques including older methods of hand harvesting, as well as newer tractor driven methods. In Carter’s study he writes, “While nearly half of all farmers contacted relied upon horses for handling some field equipment, combinations of horse- and motor-operated equipment were frequent. Forty-one percent of the farmers owned tractors, and 21 percent had trucks.” These films capture hay harvesting right in the middle of the transition from horse to machine driven equipment. Vermont was still a predominantly agricultural state in the 1940’s and dairy was the largest agricultural sector, so hay harvesting was a subject of significant interest in the state. It was also a subject of importance outside of Vermont. Between 1946 and 1948, at least 28 studies on hay harvesting methods and costs were published (Vermont, Nebraska, Iowa, North Dakota, United States Department of Agriculture, New York, Maine, Pennsylvania, New Jersey, California, New Zealand, Colorado, Nevada, Washington, Oklahoma, Arkansas, Connecticut). The large number of studies demonstrates clearly that the point in time that these films capture was critical in terms of the development of hay harvesting. It captures an agricultural sector in a period of intense study and change. In Vermont, the cost of dairy farming was increasing which resulted in fewer and larger farms. The increased size of dairy herds led to greater requirements for feeding them. In a history of the State of Vermont, the authors note, “Wheat, buckwheat, and oats all but disappeared as cash crops for regional or national markets while farmers focused on raising hay, field corn, and other silage crops.” The authors also note that the greater focus on feed forced farmers to examine productivity and to adopt more mechanized and machine driven techniques. Again, the films document this transitional phase while simultaneously serving as evidence of the increased attention paid to issues of labor and cost-saving techniques. Robert Carter was a rural sociologist interested in labor saving techniques and systems. He studied the different ways that farmers harvested hay because “harvesting the hay crop is hard, tedious, expensive work.” His study investigated the efficiency of various hay harvesting methods. He looked at the following hay harvesting tasks: cutting grass, raking hay, bunching hay, loading hay, necessary travel carrying hay between field and barn, unloading hay, and mowing-away hay. He looked at the time spent on each task, the cost of the equipment used, crew size, idle time, time spent making repairs to equipment, the interrelationships between jobs, and the production yield. His study is thorough and provided benchmarks for farmers to measure their performance against as well as strategies for improving efficiency.


      Historical Maps of Burlington and Winooski, Vermont
        • Description: This collection contains wall maps, city plans, and atlas sheets published between 1830-1890, a period when Burlington became the largest city in Vermont and a center of commerce and industry on Lake Champlain. The earlier maps show the village and rural sections of the town of Burlington. Later maps cover the City of Burlington, which was established in 1865 when the rural areas were set off to create the town of South Burlington. Maps of the neighboring village of Winooski are also included in the collection. The maps show streets, buildings and lots, building owners’ names and functions, parks, cemeteries, wards, railroads, and some natural features. Some of the maps include illustrations of prominent buildings and business directories.


        John Johnson Collection
          • Creator: Johnson, John, 1771-1842
          • Date Created: 1793-1842
          • Description: The John Johnson Collection consists of 168 maps, surveys, and architectural drawings. The items included here represent every town in Chittenden County, as well as much of the rest of northwestern Vermont. The original items are in the Oversize Maps and Surveys series in the John Johson Papers, which also contain seven cartons of records divided into the following broad categories: correspondence; business papers; architectural plans and drawings; maps and surveys; bound manuscripts; and miscellaneous papers. More information about the John Johnson Papers is available here - http://scfindingaids.uvm.edu/repositories/2/resources/1249 John Johnson -- surveyor, millwright, master builder, civil engineer -- was born in Canterbury, New Hampshire on December 2, 1771. He moved to north-western Vermont in 1790 and eventually settled in Essex, where he helped build a dam and several mills at Hubbells Falls on the Winooski River. Johnson's practical versatility soon made him the most prominent surveyor and engineer in northern Vermont and Lower Canada, and the growing demand for his services led him to move to Burlington in 1809. He was named Surveyor General of Vermont in 1813, and four years later received the appointment of superintendent of the survey of the United States-Canada border from the Bay of Fundy to the head of the Connecticut River. Although the survey was suspended after two years, Johnson's work along the Maine-New Brunswick line in 1818-19 served as a partial basis for the final settlement of the border under the Webster-Ashburton Treaty in 1842. Johnson maintained his several careers in the 1820's and 1830's. He designed or constructed many of the finest residences and public buildings in Chittenden County, served as a consultant on engineering projects as far away as North Carolina and Illinois, and continued to run surveys throughout northern Vermont. He also served again as Surveyor General of the state in the 1830's, and worked throughout that decade as an inspector for the Vermont Mutual Fire Insurance Company. Johnson died of sudden attack of erysipelas fever on April 30, 1842 at the age of seventy.


          Justin Morrill Letters to UVM President Matthew Buckham
            • Creator: Morrill, Justin S. (Justin Smith), 1810-1898
            • Date Created: 1872-1898
            • Description: Justin Morrill (1810-1898) served as a US Representative (1855-1867) and Senator (1867-1898) from Vermont, following a successful business career. His signature legislative accomplishments were the Land Grant Acts of 1862 and 1890, which used the proceeds from the sale of federal lands expropriated from tribal nations, to create land-grant colleges. The purpose of these land-grant colleges was to teach agriculture, military instruction, and mechanical arts such as engineering in addition to the traditional science and classical education that was generally taught in colleges at that time. The second Land Grant Act, passed in 1890, funded colleges in the former Confederate states and required each state to offer race blind admissions or set up a separate land-grant college for persons of color, which led to the creation of several of the historically Black colleges and universities. An additional act passed by Congress in 1887 funded agricultural experiment stations under the direction of the land grant colleges. In 1865, the University of Vermont and State Agricultural College was incorporated, after a great deal of debate about whether a land-grant college in Vermont should be a separate institution, or attached to the University of Vermont, Norwich University, Middlebury College or even possibly a merger of those three institutions. Despite the 1865 incorporation, these debates would continue in Vermont for many years to come. With the establishment of the University of Vermont and State Agricultural College, Morrill became a trustee of the University, a position he continued to hold until his death in 1898. Matthew Buckham (1832-1910) became President of the University in 1871 and continued in this role until his death in 1910. He had previously graduated from the University in 1851 and served as a faculty member from 1856-1871. His time as president saw the admission of women to the University, the addition of several notable buildings to campus such as Williams Hall and the Billings Library, and the development of the State Agricultural College which had admitted no students to the agricultural course in the six years before he became President. Morrill and Buckham were frequent correspondents and eighty-two of Morrill’s letters to Buckham, along with three to George Benedict and one to Albert Cummins, are preserved in Buckham’s papers at the University of Vermont and are digitized and transcribed in this collection. The letters included here discuss a wide variety of topics, mostly related to the agricultural college and include: federal support for the University, possible donors, military instruction, Morrill’s views on the development of agricultural colleges around the country, competition with Middlebury and Norwich, Vermont legislation such as the 1890 “divorce bill” which would have separated the State Agricultural College from the University, the experimental farm, the academic progress of Morrill’s son James at the University, and the construction of Billings Library along with the potential acquisition of the library of George Perkins Marsh.


            Kake Walk at UVM
              • Date Created: 1896-2004
              • Description: The Kake Walk at UVM collection documents a racist event held at the University of Vermont that was the highlight of the campus social calendar for over eighty years. Annual Kake Walk performances featured fraternity brothers in blackface and kinky wigs dancing to the tune of "Cotton Babes." The items in this digital collection were selected from holdings in the University Archives in 2010 by Robin Katz, Digital Initiatives Outreach Librarian, and Dr. Brian Gilley, Anthropology Professor and Director of the ALANA US Ethnic Studies Program. They are presented here to acknowledge and shine a light on a painful part of the University’s past and to highlight the protests which eventually resulted in its termination. In 2010, while the digital collection was being developed, students enrolled in Katz’s and Gilley’s ALANA US Ethnic Studies course, "Curating Kake Walk: Race, Memory, and Representation," contributed to this collection overview. In a statement reflective of class discussions and opinions, one group wrote that the Kake Walk at UVM materials "should be seen not as encouraging racism, but as an opportunity to learn from insensitivities from the past that can help us build a more unified future.”

                Kake Walk History

                UVM's Kake Walk dates to the early 1890s when it resembled the popular American minstrel show. A dance known as the cakewalk, by then a standard act in minstrel theatre, originated on plantations as a competition among slaves. The pair that most entertained their white owners would be awarded cake. The cakewalk later evolved into a refined social dance whose accompanying music was a predecessor to ragtime. UVM's Kake Walk departed from these styles, however, to become its own unique tradition. Early Kake Walks featured a pair of men in costume (one in drag) wearing blackface. In addition to the "a walkin' fo' de kake" competition, the event included grotesque stunts and a peerade; skits were soon added. In the 1930s and 1940s, the Winter Carnival weekend grew to include the election of a King and Queen and a snow sculpture competition. After World War II, male walkers wore suits in the colors of their fraternity known as "silks." The judging was codified as the high-stepping dances became more and more stylized. By the 1960s, the three-day festival also included a ball, a jazz concert, and winter sporting events. Local merchants benefited from the influx of returning alumni and visiting guests, and the organizing committee made significant profits. Kake Walk was governed by fraternity brothers known as Directors, as well as a female student appointed Secretary. Professors James Loewen and Larry McCrorey date dissent concerning Kake Walk to as early as 1954 when Phi Sigma Delta first refused to wear blackface. Various statements opposing Kake Walk were printed in the student newspaper The Vermont Cynic, published in local papers, and delivered at public events; two students picketed the last performance. In 1963, the Interfraternity Council (IFC) voted to eliminate blackface in favor of light green makeup but to continue using dialect. In 1964, due to audience complaints, the makeup was changed again to a darker green which, in black and white photographs, is impossible to distinguish from blackface. In 1969, due to successive decisions by a student-faculty committee, the Student Association, and the IFC, Kake Walk was officially eliminated from the Winter Carnival weekend.

                Detailed Description of Collection

                This digital collection contains a selection of records from the University Archives such as event invitations, recruitment flyers, documentation of ticket requests, press releases, financial records, committee minutes, and director's reports. There are several representative examples of correspondence from alumni and community members responding to the discontinuation of Kake Walk. Some notable records include the 1964 document "A New Face," which announces the switch to dark green makeup after one year of light green; the results of the 1969 student opinion poll on the future of Kake Walk; the October 31, 1969 announcement eliminating Kake Walk from the Winter Carnival weekend; and a 1977 letter describing the Greek and Panhellenic vote to oppose any Kake Walk revivals. Fourteen student newspapers from the University of Vermont are included in this collection. Every year, The Vermont Cynic produced a Kake Walk special edition. A sampling of papers from 1923 - 1977 were selected for this digital collection, as well as an article from 2004. The Cynics include some advertisements and articles unrelated to Kake Walk, but the majority of the papers' contents document Winter Carnival planning, activities, and participants. Some of the later newspapers, such as the 1954 Cynic, include debates around Kake Walk and voices of dissent. Twenty-one Kake Walk programs ranging from 1898 to 1970 document the increasingly well-designed and expensively-produced publications. The programs contain information about winter carnival events, judges, committee members, participants, scorecards, royalty candidates, and awards. The programs include advertisements from local businesses, photographs of activities and participants, and various accounts of the history of Kake Walk. Blackface first appeared on a program cover in 1938 and was depicted on subsequent publications, with varying degrees of realism, until the last performance in 1969. Researchers will notice two parody programs: a 1922 publication imitating a Communist "rag" and a 1924 program entitled “The Bohemian Meow.” The program for the 1970 film festival which replaced Kake Walk is also included. More than one hundred photographs taken during the last decade of the University of Vermont's Winter Carnival are available in this collection. The photos were most likely taken by staff and student enthusiasts to document and publicize the committee's production work, Winter Carnival events, and Kake Walk performances. In some cases, professional photographers may have been hired. This collection also includes many non-traditional archival formats. Starting around 1912, all Kake Walkers choreographed their high-stepping dances to the syncopated tune of "Cotton Babes." A 10 inch 78 rpm record of this signature musical piece has been digitized and made available online. Originally composed by Percy Weinrich, this version of the song was arranged by UVM Band Director Joseph Lechnyr. A bronze Kake Walk trophy and fraternity drinking souvenirs such as a metal cup and a ceramic jug represent the many artifacts associated with this event. In 2004, the Howe Library held an exhibit entitled "UVM's Past: The Legacy of Kake Walk." This collection makes available exhibit materials archived at UVM, including newspaper articles which may have been on display, draft exhibit labels, and a notebook containing visitor comments.

                Processing Information

                Undergraduate and continuing education students enrolled in the summer 2010 ALANA US Ethnic Studies course "Curating Kake Walk: Race, Memory, and Representation" contributed to this collection overview and provided subject headings describing many of the collection's digital objects. They also developed several criteria in order to select the original collection image thumbnail. In a statement reflective of class discussions and opinions, one group wrote that the Kake Walk at UVM materials "should be seen not as encouraging racism, but as an opportunity to learn from insensitivities from the past that can help us build a more unified future.”

                Suggested Readings

                For more information about the Kake Walk tradition at UVM and this digital collection, see the following: Katz, Robin M. “Teaching Cultural Memory: Using and Producing Digitized Archival Material in an Online Course” in Past or Portal? Enhancing Undergraduate Learning through Special Collections and Archives, edited by Eleanor Mitchell et al. Association of College & Research Libraries, 2012. Loewen, James. "The Black Image in White Vermont: The Origin, Meaning, and Abolition of Kake Walk" in The University of Vermont: The First Two Hundred Years, edited by Robert Daniels et al. University of Vermont: Distributed by University Press of New England / University of Vermont, 1991. This chapter is included in this digital collection. At the time this collection launched in 2010, it was the only known scholarly work on Kake Walk. McCrorey, H. Lawrence. “The History of Racism at UVM: the Vermont Paradox,” speech given on February 19, 2004 in the University of Vermont’s Bailey/Howe Library. University Archives, Record Group 53: Fraternities and Sororities, Series: Kake Walk. This speech is included in this digital collection. Spees, Emil R. "Kake Walk Data" in University Archives, Record Group 53: Fraternities and Sororities, Series: Kake Walk. This document, which compiles minutes and published information on committees, judges, programs, receipts, rules, and walkers, is included in this digital collection. Tunc, Tanfir Emin. “Kake Walk on Kampus: Ritualizing Racism or Commemorating Tradition at the University of Vermont?” in We are what we remember : the American past through commemoration, edited by Jeffrey Lee Merriwether and Laura Mattoon D’Amore. Cambridge Scholars Publishing, 2012

                Updates

                Collections description, thumbnail image, banner image, and suggested readings updated in April 2025 by the Silver Special Collections Library’s reparative description working group.


              Letters Home From Congress
                • Creator: Austin, Warren Robinson, 1877-1962, Collamer, Jacob, 1791-1865, Crafts, Samuel Chandler, 1768-1853
                • Date Created: 1818-1941
                • Description: This collection features letters home from Warren R. Austin (Senator, 1931-1946), Jacob Collamer (Representative, 1843-1848; Senator, 1855-1865), and Samuel C. Crafts (Representative, 1817-1824; Senator, 1842-1843). The letters document travel to and from Washington by horse, boat, train, and airplane; lodging in boarding houses, hotels, and homes; social life in Washington; significant local and national events; and legislative issues under consideration in Congress. Austin's letters detail his frustrations serving as a Senator in the minority party during the era of Roosevelt and the New Deal; his activities on the Judiciary Committee; and foreign affairs topics such as the Neutrality Act. The letters of Crafts and Collamer both extensively cover the question of slavery, discussing Missouri statehood, John Brown, the annexation of Texas, and the Civil War. All three Congressmen frequently discuss questions regarding appropriations and the Federal budget. Biographical information is available from the Biographical Directory of the United States Congress, at: https://bioguide.congress.gov/


                Long Trail Photographs
                  • Creator: Congdon, Herbert Wheaton, 1876-1965, Dean, Theron S.
                  • Date Created: 2010-03-09
                  • Description: The Long Trail Collection includes over 900 images of the oldest long-distance hiking trail in the United States: Vermont’s Long Trail. The collection is mainly comprised of black-and-white and hand-colored lantern slides derived from photographs taken between 1912 and 1937. It documents the Green Mountain Club’s building of original trails and shelters and illustrates the enthusiasm for the Long Trail project (and hiking in general) at the turn of the century. These images chronicle the views and landscapes seen by early hikers of the Long Trail and provide an historical record of people associated with the Green Mountain Club’s formative years. The images in this collection were captured by Green Mountain Club members Theron S. Dean and Herbert Wheaton Congdon, both of whom were early contributors to the trail’s development. Congdon surveyed and mapped a large portion of the early trail including a fifty mile stretch from Middlebury Gap to Bolton. Congdon, along with Leroy Little and Clarence Cowles, is also credited with the first winter ascent of Mount Mansfield on February 21, 1920. Dean is perhaps the most prolific documenter of the Long Trail’s development. Dean traveled throughout Vermont presenting slideshows and giving talks about the Long Trail, often to hundreds of people. A number of the original lantern slides in this collection were used by Congdon and Dean in their Long Trail presentations. Dean in particular meticulously cultivated his lantern slide collection and displayed these slides during his many talks. The original slides can be viewed in the Dean and Congdon collections at the University of Vermont Silver Special Collections Library. More information about the Long Trail can be obtained from the Green Mountain Club. The slides were scanned by the University's Landscape Change Program with the generous support of the National Science Foundation. The digitized photographs also appear in the Landscape Change image database at: http://www.uvm.edu/landscape/


                  Louis L. McAllister Photographs
                    • Description: Louis L. McAllister photographed people and places near Burlington, Vermont for 60 years. He was born in Columbus, Nebraska on October 16, 1876, the son of Julius S. McAllister (born 1841 in Lincoln, VT) and Rosette Gould (born in Vermont in 1851). Julius McAllister worked as a photographer and dentist in Washington D.C., Bristol, Vermont and Columbus, Nebraska. Around 1895, Julius, his third wife Amy, and their children left Nebraska for the Union Soldiers’ Colony in Fitzgerald, Georgia. By 1900, Julius and Amy were divorced, and Amy and her stepson Louis were working as photographers in Thomasville, Georgia. In 1907 Louis McAllister married Cora Shepard (born about 1872 in Vermont) in Holland, Michigan. By 1910, they were living in Queen City Park in South Burlington, Vermont, where Louis established a photography studio. The McAllisters moved to Burlington, and by 1919 they lived at 47 N. Winooski Avenue. They continued to occupy a summer cottage at Queen City Park, and were active in the Queen City Park Association, which held spiritualist camp meetings annually. McAllister conducted his photography business from home until his death in 1963. McAllister’s “trademark” was his panorama camera which made him familiar to all sorts of groups ranging from graduating classes to state police to summer camp groups. In addition he did print 8 x 10 photos, many of which document building construction and Burlington Street Department projects, as well as group and individual portraits. The L.L. McAllister Collection includes portraits, construction projects, buildings, businesses and events in the Burlington area covering the period ca. 1920-1960. The collection also includes photos of street, bridge, airport and sewer construction and repair, as well as group portraits of clubs, schools, etc. Revised April, 2010


                    Maple Recipe Collection
                      • Date Created: 1952-2008
                      • Description: The Maple Recipe collection offers a unique glimpse at the variety in maple sugar and maple syrup use over the last half-century, as it is prominently featured in a range of dishes, from the sweet to the savory. The collection includes entrees, side dishes, appetizers, breads and desserts, and draws recipes from a variety of sources, including commercial cookbooks, regional cookbooks, and community cookbooks. Highlights of the collection include: a selection of recipes from Judith Jones, cookbook editor for Julia Child and part-time Vermont resident; published recipes from celebrated Vermont food establishments, including the Inn at Shelburne Farms, the Cobble House Inn, and the New England Culinary Institute; and recipes from community organizations, including local Vermont church groups, the Green Mountain Folklore Society, and the University of Vermont. The materials in this collection are a small sampling of the cookbook collection in the University of Vermont Libraries Department of Special Collections.