Note: Put the word between quotation marks (“example”) to perform an exact search.

Showing 41 - 50 of +10000 Records

(Leo)
    • Creator: Prospect School and Center for Education and Research
    • Date Created: 2008-09-11
    • Description: (Leo’s) original collection in the Archive spans 10 years, 1975-1985, ages 4 years and 11 months to 14 years and 8 months. The full collection contains 1,907 items, which are reproduced on microfiche in the Reference Edition. (Leo) primarily used markers to create narratives in line, with color highlighting or adding to the action. Narratives are often adventures, voyages, journeys, or paths of discovery, including encounters with the unexpected. Mapping, large space, and distance are characteristic of the settings in which adventures occur, with copious detail and motion as well as extreme variation in the line unifying the work. (Leo) appears to be gathering, recording, and explicating experience. Treatment of scenes implies events preceding and following, as opposed to studies of single moments. Over the 10 years, (Leo’s) work evinces increasing interest in and capacity for control and precision of line and decrease in ambiguity about space and perspective. Cartooning begins to appear in year 5, linear perspective in year 6, humorous treatment of previously serious subjects in years 7 and 8, with more character study, less narrative, and increased range of mediums and of color and form in years 8 and 9. (Leo’s) early written stories are transcribed from dictation, often as captions for the adventure drawings. As he increasingly writes the stories down himself, he continues adventure stories in a variety of settings, often blending elements from history, folklore, or legend. He also writes descriptions, reports, and opinion essays. Humor permeates much of his writing (including word play, captioned cartoons, exploration of idioms). His later adventure stories are full of action and conflict, with detailed and descriptive language.
    • Parent Collections: Prospect Archive of Children's Work


    Fire Insurance Maps of St. Albans, Vermont, 1889
      • Creator: Sanborn Map Company
      • Date Created: 1889
      • Description: The 1889 fire insurance map sheets for the village of St. Albans, Vermont were produced by the Sanborn Map and Publishing Co. to give fire insurance companies and underwriters accurate information about insured properties. The maps record the extensive railroad facilities west of Main Street, manufacturing and industrial enterprises located nearby, the city’s commercial center along Main Street, and the churches, courthouse and academy located east of Taylor Park. The maps also include residences in the central section of St. Albans.
      • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of St. Albans, Vermont


      Fire Insurance Maps of Winooski, Vermont, 1904
        • Creator: Sanborn Map Company
        • Date Created: 1904
        • Description: The 1904 fire insurance map sheets for Winooski, Vermont were produced by the Sanborn Map Co. to give fire insurance companies and underwriters accurate information about insured properties. The maps document the extensive mill complexes along the Winooski River and the residential and commercial buildings in the village center.
        • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of Winooski, Vermont


        (Alva)
          • Creator: Prospect School and Center for Education and Research
          • Date Created: 2008-09-11
          • Description: (Alva's) original collection in the Archive spans eight years, 1976-1985, ages 5 to 13. The full collection contains 952 items, which are reproduced on microfiche in the Reference Edition. The collection stands out for (Alva's) attention to composition. She uses boundaries, framing, corner treatments, and lines to divide the space of a page. Pattern, repetition, symmetry, and layering appear across the collection and within individual pieces. Lines, bands, panels, and columns recur, with a preference for the vertical, but also intersecting lines and bands. (Alva) uses a variety of media, including chalk, cray-pas, pencil, crayon, colored pencil, watercolor, tempera, printing, rubbings, marbling, and collage, and she mixes media within a piece of work. Consistent motifs include natural and outdoor scenes, animals (often in groups), hills, suns, water, houses with trees and flowers, bursts of color, and patterned or geometric forms. Vivid color permeates the visual collection. Much of (Alva's) written work deals with relationship, with strong feeling at the core. The strength of feeling is contained by a style that is structured and attentive to detail and by a straightforward tone. Animals (especially horses and mice) in her written work experience changes of relationship and feeling. Relationships among people are explored as well, and in her later work values of equality and justice come to the fore.
          • Parent Collections: Prospect Archive of Children's Work


          (Neil)
            • Creator: Prospect School and Center for Education and Research
            • Date Created: 2008-09-11
            • Description: (Neil’s) original collection in the Archive covers 9 years, 1970-1979, ages 5 years and 2 months to 13 years and 11 months. The full file of originals numbers 324 visual items and 186 written items, which are reproduced on microfiche in the Reference Edition. (Neil’s) work is notable for these persistent themes: mapping, overview and landscape; patterning, and schematics; machinery and equipment, both invented and realistic; mystery and hiddenness; adventure, conflict, and threats of danger; dwellings, both interiors and exteriors, home, representing safety and comfort; subtle humor running throughout work; deep interest in nature. Some enduring characteristics of his style include preference for line,particularly pencil; outline, but also selective and fine details and shading; humorous inventiveness both in machinery and people in costumes and poses; interest in tools and history; color used sparingly for emphasis; and rhythm and movement conveyed within compositions. An overall characteristic is his eye for detail and upbeat approach. Changes in his work are characterized by a growing variety and range of content; increased use of other mediums, including pastels and water color; bright colors, geometric design; a light, impressionistic touch, as well as realistic illustrations of texts; more writing: long travel/adventure narratives that end in safe refuge at home; story development with understated emotion, and dry humor.
            • Parent Collections: Prospect Archive of Children's Work


            Fire Insurance Maps of Essex Junction, Vermont, 1894
              • Creator: Sanborn-Perris Map Company
              • Date Created: 1894
              • Description: The 1894 fire insurance map sheet for Essex Junction, Vermont was produced by the Sanborn-Perris Map Co. to give fire insurance companies and underwriters accurate information about insured properties. In addition to the village center, insets document the factories, mills, and creamery located south of the village on the Winooski River.
              • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of Essex Junction, Vermont


              Fire Insurance Maps of St. Albans, Vermont, 1912
                • Creator: Sanborn Map Company
                • Date Created: 1912
                • Description: The 1912 fire insurance map sheets for the city of St. Albans, Vermont were produced by the Sanborn Map Co. to give fire insurance companies and underwriters accurate information about insured properties. The maps record the extensive railroad facilities west of Main Street, manufacturing and industrial enterprises located nearby, the city’s commercial center along Main Street, and the churches, courthouse and academy located east of Taylor Park. The maps also include residences in the central section of St. Albans. An inset shows the village of St. Albans Bay, three miles west of St. Albans City on Lake Champlain.
                • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of St. Albans, Vermont


                Fire Insurance Maps of Winooski, Vermont, 1894
                  • Creator: Sanborn Map Company
                  • Date Created: 1894
                  • Description: The 1894 fire insurance map sheets for Winooski, Vermont were produced by the Sanborn-Perris Map Co. to give fire insurance companies and underwriters accurate information about insured properties. The maps document the extensive mill complexes along the Winooski River and the churches, residences, and commercial buildings in the village center.
                  • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of Winooski, Vermont


                  Fire Insurance Maps of Winooski, Vermont, 1899
                    • Creator: Sanborn Map Company
                    • Date Created: 1899
                    • Description: The 1899 fire insurance map sheets for Winooski, Vermont were produced by the Sanborn-Perris Map Co. to give fire insurance companies and underwriters accurate information about insured properties. The maps document the extensive mill complexes along the Winooski River and the churches, residences, and commercial buildings in the village center. The maps also document the damage to the mills and other buildings caused by the 1898 fire east of Main Street between the Winooski River and Canal Street.
                    • Parent Collections: Fire Insurance Maps of Vermont, Fire Insurance Maps of Winooski, Vermont


                    (Sean)
                      • Creator: Prospect School and Center for Education and Research
                      • Date Created: 2008-09-11
                      • Description: (Sean’s) collection spans nine years, 1971-1980, ages 4 years and 9 months to 13 years and 6 months. The collection contains 1,140 items, which are reproduced in full on microfiche in the Reference Edition. (Sean’s) work is marked by a spirit of experimentation, a sense of the artist himself as a medium, and continuing preoccupation with such ideas as transformation, doubleness, reversibility, magic, trickery, disaster and rescue, the hidden world, and befallenness. In visual work, (Sean) used every physical medium available, from paint to prints, photography, and sewing, with preference given to plain pencil. His experimental attitude is further visible in lots of reworking and preliminary and marginal sketches. He is a virtuoso of line; his rare use of color is charged. In both visual and written work, work within the same year veers from great sophistication to less accomplished pieces. Overall, he seems to privilege experimentation over finished statements. Figures are singular, generic. The eye and the self-portrait are two continuous, striking motifs in visual work. Mirroring, images within images (a hand drawing a picture), figure-ground ambiguity, and forms of trickery, punning, magic, and tantalizing/provocative ambiguity, often with an edge of sly humor, are characteristic. In writing, (Sean) also practiced many genres. Unnamed, singular characters and un-located events abound—the boy, the deer, the lady, the cowboy, the river. His language is spare and economical, with occasional stunning adjectives. Action consists of movement and progress is dream-like. Compositional structure is by repetition, recurrence, parallelism, alternation or reversals, which often confuse figure and ground. In the later years, a new lyricism appears, especially in watercolors of land- and seascapes, or, in writing, descriptions of nature.
                      • Parent Collections: Prospect Archive of Children's Work